My Grandfather's Coat - Hardcover

Jim Aylesworth tells his stories with generous doses of "out loud" sounds, rhythms, and rhymes. His twenty-five-year teaching career taught him exactly what children love best in a story. He lives in Chicago, Illinois, with his wife.
Barbara McClintock has written and/or illustrated over forty distinguished books for children, including My Grandfather's Coat, retold by Jim Aylesworth, which received three starred reviews, and her own highly acclaimed Adele and Simon books. Her books have five times been named New York Times Best Illustrated Children’s Books. She has received a Boston Globe-Horn Book Honor, as well as a myriad of other awards and honors. Barbara lives in Connecticut with her family and two very graceful cats.

PreS-Gr 2—This new adaptation of the Yiddish folk song presented in Simms Taback's Joseph Had a Little Overcoat (Viking, 1999) and Phoebe Gilman's Something from Nothing (Scholastic, 1992) is a fresh rhythmic retelling with charming cartoon-style illustrations that deserves a place even in collections that own the other two. Aylesworth's story, told in the voice of the main character's granddaughter, recounts highlights of her grandfather's life: coming to America, becoming a tailor, and making himself "a handsome coat...that he wore on his wedding day!" The worn coat becomes "a smart jacket"; the shabby jacket, "a snazzy vest"; the frayed vest, "a stylish tie." In this version, the threadbare tie is transformed into a toy for a great grandson's kittens, then a cozy nest for a mouse and her babies. As in both older versions, this one features repetition and a rhyming refrain. McClintock's pen-and-ink detailed watercolor illustrations highlight four generations of family history. Following the title-page scene that shows ships streaming toward Ellis Island, then a photolike pose of grandfather as a boy on deck passing the Statue of Liberty, the story unfolds in two-to-three small vignettes per page, each accompanied by a snippet of text, with a full-page scene at each major juncture. The paintings highlight McClintock's special skill for aging grandpa. Her eye for detail is apparent in ever-changing clothing styles; in a sole coming loose from young grandpa's shoe; and the evolution of his sewing machines from treadle to modern motorized. This is a tale worth reading again and again.—Susan Scheps, formerly at Shaker Public Library, OH